And now, here are a few of my personal online favourites.
I like them just the way they are – ha ha ha!
Have You Ever Seen the Rain: http://www.scorpexuke.com/song-display.html?song=Have_You_Ever_Seen_The_Rain&id=193
This is a great one. You play Csus4 with just one strum, trust me it will sound the way you remember it. After becoming accustomed to playing that one plus the Gsus4 you might find yourself throwing it into other songs as they come up. Also, this is a great campfire song.
Crazy Little Thing Called Love: http://www.scorpexuke.com/song-display.html?song=Crazy_Little_Thing_Called_Love&id=106
Great arrangement. It has a little mini tablature right in the middle of it, for notes to pick on just the A-string and the E-string for the guitar lick part of the song. After you practice it a while to get it down pat, you will find you can throw it in there with perfect timing while performing. A little bit of a challenge there, but manageable and adds to your growing skills set. 🙂
The Summer Wind: http://www.doctoruke.com/summerwind.pdf
This is one of my weepy favourites: we can only play this one at certain times and not around certain people, ie. not during break-up recovery. At first glance, you might feel overwhelmed by the amount of chords but that is just the Dr. Uke style. The lyrics with just the chord letters will be on page two. Advice on the chords: not necessary to play the full F7 chord, just play it as 2310, and on the last line, I like to morph the last 2 C7’s into something I don’t know the name of – but sounds better – which is to bar the first fret and press the first string in the third fret (C note). Or 1113, then add that as well after the final F6 with an F chord as well for finalé. It’s a great little jazz arrangement, you could go on and on with it because it has lots of potential, and the chords are easy – who doesn’t like Am7? LOL
These already published online songs won’t be included in my next songbook, which is generally a reflection of my own arrangements and personal taste with regard to wording, strumming, timing, morphed chords, intro’s, outro’s and sentiment.